Archive for the Music Clips Category

Far from the Madding Crowd

Posted in digitalent, Inspiration, Music Clips, Videontology with tags , , , , , , , , , , , , , on January 7, 2010 by re: turn on

Whether you like his music or not, you have to give props to Trent Reznor for his balls, flying in the face of music industry copyright convention and giving labels the finger. In 2008 he privately releases the mammoth Nine Inch Nails album Ghosts with a Creative Commons Attribution-Noncommercial-Share Alike license. Three days ago he announces the imminent release of concert film “Another Version of the Truth: The Gift”, whose post-production was entirely crowdsourced to fans. NIN’s 2008 tour Lights in the Sky was shot professionally, but without a distribution deal to finance post-production, a finished film looked unlikely. Instead, Reznor released 405gb of raw footage freely online for his enthusiastic fanbase to edit and soundmix. They self-organised into an online collective called This One is On Us to crowdsource the production of a concert film that would have been a herculean task for even the most robust studio.

The inspiration originally came from “The Downward Spiral: Live at Webster Hall“, a concert film that was entirely crowdsourced from camera to DVD. I’ve long been a proponent of artists and corporations relaxing their copyright to accommodate the rising mash-up symbiosis (see my guest post for Julian Cole’s top blog Adspace Pioneers) and Trent Reznor continues to make my case for me. First he instates an open camera policy, rare for popular artists afraid their dubious talent might be shipwrecked upon the great ocean of YouTube. Webster Hall asked exorbitant fees for allowing crews to film, but they couldn’t police fans who brought their own cameras (that’s a copyright issue usually of concern solely to the performer/s). NIN’s open camera goodwill was reciprocated by fans, who aggregated footage from camera phones and video cameras, crowdsourced post-production and authored DVDs and torrent streams.

Artists take note: THE FUTURE IS NOW PRESENT
You lock yourselves in castles and build ramparts around your precious copyright, hoarding it away from the peasants who toil in your fields. You’re feudalists living in an anarcho-syndicalist commune. Just ask Dennis…

World, meet Reggae

Posted in Music Clips with tags , , , , on June 30, 2009 by re: turn on

40 years ago this month, Desmond Dekker and The Aces introduced the world to Jamaican music with their reggae classic “Israelites”.

Catchier than swine flu, “Israelites” is also a profound meditation on the parallels between Jamaican poverty and the starved desert wanderings of the Hebrews chronicled in Exodus from the Old Testament. Despite complaints that Dekker’s thick Kingston accent made lyrics difficult to understand, the track reached #9 in the US and #1 in the UK.

If that toe-tapping foot-flapping bass-line arpeggio sounds vaguely familiar, you may be recognizing its influence on The Beatles’ “Ob-La-Di, Ob-La-Da”, where they lyrically reference Desmond Dekker.

I’m a big fan of the art of the music clip, but this video exemplifies why live performance can often be more compelling, particularly as a verite record of history. Shot by the BBC the year following its release, the Brits in the audience are clearly having fun, but are unsure how to transfer “Israelites” infectious rhythm to their feet.

The photography is excellent, soft focus beautifully diffuses the stage lights, slightly overexposed so that Dekker’s funky bodysuit literally glows. A long dolly shot tracks behind the audience, tables and pillars; effectively establishing place, with a few bumps excusable given the live and crowded circumstances. Some shots use depth of field to show an old schooner glass on a bar, more drained with each edit (I reckon the cameraman was sneaking an ale).

Then there’s the performance, for which I’m at a loss for words…